About
In Europe, from the 14th to the 16th centuries, metalpoint was a popular medium for drawing, famously used by artists such as Da Vinci and Raphael.
During this period, significant philosophical and scientific texts from various parts of Asia reached the West, fostering an exchange of ideas and practices related to art, science, and alchemy. This rising interest in alchemy and the sciences deepened the understanding of metals, transforming their significance in artistic practices. Metalpoint became more than just a means to produce pleasing lines; the metals themselves were viewed as cosmic agents, revealing the cosmos through their unique properties.
In this workshop, students will engage in a variety of exercises using metalpoint techniques. Each metal will be examined in relation to its planetary correspondence, as well as its relationship with mineral pigments and color.
Students will learn how to prepare traditional grounds for metalpoint drawing, as described by Cennino Cennini, using ground bones and chalk. They will also create a range of differently colored surfaces on which they will make studies based on old master drawings. Participants will explore the possibilities of this beautiful technique and its application on colored grounds.
Key Information
Who is this course for?
All levels of ability and experience welcome. You must be aged 18 or over to participate in our programmes.
What days do I attend?
Monday – Friday, 19 – 23 January 2026, 10:00 – 16:30
How many students can attend?
14 people
Where will this course take place?
This course will take place at our studios at The King’s Foundation School of Traditional Arts, 19-22 Charlotte Road, London EC2A 3SG.
What should I bring to class?
Students should all bring:
- a metal-holder
- a ceramic or plastic palette with wells
- Sable pointed brushes, 1 each in size 0, 000, and 2 (normal length not miniature brushes).
Wear comfortable clothing that you do not mind getting slightly messy. Avoid wearing baggy clothing (especially sleeves), loose jewellery, high heels or open-toed shoes.
FAQs
Do you offer concessions?
Yes, we offer concessions for Seniors/60+, full-time students and people who are unemployed/in receipt of benefits.
Concessions cannot be applied in retrospect. To receive a concession, please apply via our online form. We will then send you a discount code to use when booking your space.
Terms & Conditions
The School reserves the right to discontinue or suspend a Course up to fourteen (14) calendar days before the advertised start date of the Course. This course requires a minimum number of enrollments to run.
The School may take and use images of you and/or your work for course advertisement and social media purposes.
Our normal terms and conditions apply.
Tutor Biography
Dr. David Cranswick received his MA fine art degree from the Royal Academy of Art. In 1999 he received his PhD from HRH Prince of Wales at St James Palace for practical research into mediaeval and renaissance painting materials and techniques. From 1984 David served as personal apprentice to Cecil Collins until his death in 1989. In 1989 David was invited by Professor Keith Critchlow to run regular workshops to the MA and PhD students, where he continues to teach as senior tutor at The King’s Foundation School of Traditional Arts. He teaches regularly in the UK and internationally. David is personal tutor to several Royalties and prominent figures. He has works in royal collections (including King Charles III) also prominent establishments in the UK and abroad. David is resident artist in Cowdray Castle. David has appeared in BBC television programmes and radio interviews. Articles published include art magazines and newspapers. He has exhibited internationally since 1979 and undertaken portrait commissions. In 2024 David received the Teaching Award from King Charles III for 35 years of dedicated teaching. Dr. Cranswick has written a book on desert pigments of AlUla. He is currently writing a book on traditional painting methods.