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Our Ethos

The School of Traditional Arts pioneers contemporary education in the traditional arts, where an understanding of the theoretical knowledge underpinning them is united with the knowledge and skills of their practical application.

About our work

The work of the School follows the rhythmic pattern of virtuous, connecting circles. These can be felt in the open, generous exchange between students and teachers, and across cultures. They can be seen in the use of age-old techniques and materials to make new things. They permeate through the School’s respectful custodianship and reinvigoration of precious artistic traditions to its alumni who, in turn, hand them on to future generations.

Our teaching practices

At the School, whatever the level of study, education is traditional in that it follows and adapts the senior-junior practitioner model. Teachers are deeply knowledgeable and highly skilled, thanks to years of long, rigorous practice and to their own learning from previous masters. They bring profound theoretical and practical understanding to their teaching. Working alongside these teachers, students at the School experience education in the true sense of the original Latin word educare – as a drawing out of knowledge, understanding and ability leading to transformed practice and lives. Here you will find everyone practising and valuing education in its best sense.

Our students’ work

By learning and practising traditional arts as living skills that can be applied in contemporary design, students at the School create beautiful objects – ceramic tiles and bowls; stained glass and wood marquetry; oil paintings, icons, miniatures and frescoes; carving, furniture and buildings. There is beauty in the students’ steady, disciplined practice of crafts and skills that are deeply rooted in the inspirational principles common to all traditional cultures.

Our purpose

One of the School’s main objectives is to encourage an awareness of the holistic nature of traditional arts, whose inspiration derives from the highest sources and whose skill and dedication creates masterpieces which we can all recognise as part of our world heritage.

The School’s ethos holds that learning entirely means living entirely too – in oneself, with the environment and in community. The kind of originality nurtured and respected at The School of Traditional Arts goes beyond the production of exceptional artwork by particular individuals. Here, originality means ‘from the origin’, returning to first principles as well as cultural and artistic roots, nurturing them and bringing forth new shoots. It is this understanding of originality which enables the students at the School to create contemporary arts through living traditions.

Mark Tiitinen
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