About
In the hands of 17th-century Spanish masters like Francisco de Zurbarán, chiaroscuro—the interplay of light and shadow—was used not only to create dramatic contrasts, but also to reveal a rich and nuanced spectrum of colour. Through the technique of glazing—applying paint in fine, translucent layers—colours begin to glow like jewels, emerging from the depths of shadow and light.
This masterclass offers students a practical foundation in the techniques of the Old Masters, focusing on the methods they used to achieve their luminous effects and extraordinary colours. These processes remain deeply relevant today and can be adapted to a wide range of painting styles, from classical figurative work to contemporary, improvised approaches.
Teaching methods include an illustrated lecture, demonstrations and one-to-one guidance. A central focus is the traditional use of glaze medium, which keep the paint workable throughout the day. This allows for subtle blending and tonal development, creating a depth and luminosity rarely achieved with modern materials. Students will also be shown the importance of the ground—the prepared surface of the painting—and how its composition influences the final outcome.
In addition, the course delves into the colour theory behind these techniques, showing how the drama of light and shade was used to heighten emotional and visual impact.
Ultimately, this masterclass reveals the alchemical nature of traditional oil painting: through the dynamic union of darkness and light, a radiant spectrum of colour is born. These techniques not only enhance technical skill but also offer insight into the spiritual and philosophical dimensions of painting.
Key Information
Who is this course for?
All levels of ability and experience welcome. You must be aged 18 or over to participate in our programmes.
What days/times do I attend?
Monday – Friday, 1 – 5 June 2026, 10:00 – 16:30
How many students can attend?
14 people
Where will this course take place?
This course will take place at our studios at The King’s Foundation School of Traditional Arts, 19-22 Charlotte Road, London EC2A 3SG.
What should I bring to class?
- Oil paint: yellow ochre, raw sienna, burnt sienna, raw umber, burnt umber, terre verte, ultramarine blue, cadmium red (light), cadmium lemon yellow, cadmium orange, alizarin crimson, vine or ivory black, titanium white, and zinc white.
The tutor recommends Old Holland, Roberson or Michael Harding oil paints, but any high-quality artists’ oil paint that you have access to will suffice.
- Brushes:
- Hog hair filbert brushes: Suggested sizes 1, 2, 3, 4 and 5. The tutor recommends brushes from either Green & Stone or Cornelissen
- Pointed sable brushes: Suggested sizes sizes 1, 2 and 3. The tutor recommends brushes from either Green & Stone or Cornelissen
Wear comfortable clothing that you do not mind getting slightly messy. Avoid wearing baggy clothing (especially sleeves), loose jewellery, high heels or open-toed shoes.
FAQs
Do you offer concessions?
Yes, we offer concessions for Seniors/60+, full-time students and people who are unemployed/in receipt of benefits.
Concessions cannot be applied in retrospect. To receive a concession, please apply via our online form. We will then send you a discount code to use when booking your space.
Terms & Conditions
The School reserves the right to discontinue or suspend a Course up to fourteen (14) calendar days before the advertised start date of the Course. This course requires a minimum number of enrollments to run.
The School may take and use images of you and/or your work for course advertisement and social media purposes.
Our normal terms and conditions apply.
Tutor Biography
Dr. David Cranswick received his MA fine art degree from the Royal Academy of Art. In 1999 he received his PhD from HRH Prince of Wales at St James Palace for practical research into mediaeval and renaissance painting materials and techniques. From 1984 David served as personal apprentice to Cecil Collins until his death in 1989. In 1989 David was invited by Professor Keith Critchlow to run regular workshops to the MA and PhD students, where he continues to teach as senior tutor at The King’s Foundation School of Traditional Arts. He teaches regularly in the UK and internationally. David is personal tutor to several Royalties and prominent figures. He has works in royal collections (including King Charles III) also prominent establishments in the UK and abroad. David is resident artist in Cowdray Castle. David has appeared in BBC television programmes and radio interviews. Articles published include art magazines and newspapers. He has exhibited internationally since 1979 and undertaken portrait commissions. In 2024 David received the Teaching Award from King Charles III for 35 years of dedicated teaching. Dr. Cranswick has written a book on desert pigments of AlUla. He is currently writing a book on traditional painting methods.
