About
This course introduces the traditional stained glass technique of using lead cames—once widely used from medieval churches to Art Nouveau architecture—offering a contrast to the more common Tiffany copper foil method. Guided by tutor Jingshi Wang, students will explore different types of glass (machine-rolled and handmade), work with traditional tools and materials (such as lead and tallow), and develop practical skills in cutting, glazing, and soldering. The course includes demonstrations, one-to-one guidance, and a short illustrated talk on the history and process of leaded stained glass.
Key Information
Who is this workshop for?
All levels of ability and experience welcome. You must be aged 18 or over to participate in our programmes.
How many people can attend?
8 people
What days/times do I attend?
Saturday, 21 February 2026, 10:00 – 16:30
What materials do I need?
All materials are provided on this course.
Wear comfortable clothing that you do not mind getting slightly messy. Avoid wearing baggy clothing (especially sleeves), loose jewellery, high heels or open-toed shoes.
Where will this course take place?
This course will take place at our studios at The King’s Foundation School of Traditional Arts, 19-22 Charlotte Road, London EC2A 3SG.
FAQs
Do you offer concessions?
Yes, we offer concessions for Seniors/60+, full-time students and people who are unemployed/in receipt of benefits.
Concessions cannot be applied in retrospect. To receive a concession, please apply via our online form. We will then send you a discount code to use when booking your space.
Terms & Conditions
The School reserves the right to discontinue or suspend a Course up to fourteen (14) calendar days before the advertised start date of the Course. This course requires a minimum number of enrollments to run.
Our normal terms and conditions apply.
Tutor Biography
Jingshi Wang studied fine art at the Central Academy of Fine Arts and Goldsmiths, University of London, and completed her MA at The King’s Foundation School of Traditional Arts in 2022.
Her work has been shown in galleries including the Saatchi Gallery and the Museum of Contemporary Art, often featuring symbolic elements and references to medieval poetry, folklore, and traditional crafts.
She has also worked for several years as a stained glass restorer, contributing to conservation projects at Windsor Castle, Buckingham Palace, Wells Cathedral, Birmingham Cathedral, and various National Trust properties.
