About
Immerse yourself in the intricate beauty of illuminated borders inspired by the rich traditions of Ottoman, Persian, and Mughal manuscripts. This course offers a hands-on exploration of diverse border motifs —from geometric interlace patterns to delicate floral patterns.
Students will learn how to design repeating elements and master the techniques for seamlessly continuing patterns around corners. The course also includes instruction on preparing and painting with shell gold, using a variety of traditional techniques to bring your designs to life with luminous detail.
Key Information
Who is this workshop for?
All levels of ability and experience welcome. You must be aged 18 or over to participate in our programmes.
How many people can attend?
14 people
What days/times do I attend?
Monday – Friday, 11 – 15 May 2026, 10:00 – 16:30
What materials do I need?
Students should bring the following to class:
- TBC
All other materials will be provided.
Wear comfortable clothing that you do not mind getting slightly messy. Avoid wearing baggy clothing (especially sleeves), loose jewellery, high heels or open-toed shoes.
Where will this course take place?
This course will take place at our studios at The King’s Foundation School of Traditional Arts, 19-22 Charlotte Road, London EC2A 3SG.
FAQs
Do you offer concessions?
Yes, we offer concessions for Seniors/60+, full-time students and people who are unemployed/in receipt of benefits.
Concessions cannot be applied in retrospect. To receive a concession, please apply via our online form. We will then send you a discount code to use when booking your space.
Terms & Conditions
The School reserves the right to discontinue or suspend a Course up to fourteen (14) calendar days before the advertised start date of the Course. This course requires a minimum number of enrollments to run.
Our normal terms and conditions apply.
Tutor Biography
Born and brought up in Kenya, Mahrukh has always been fascinated with the beauty of pattern and traditional crafts, especially the carved Lamu doors and wonderful Quranic calligraphy and design. As a young child, she would use rags left over from her mother’s stitching and paint Quranic verses, emulating the patterns found on the Kabba in Mecca. She now lives in London, having spent a few years in Dubai, and has carried on her passion and interest in art. She immersed herself in various courses and techniques that led her to the King’s Foundation of Traditional Arts. There she completed a Masters Degree in Visual and Islamic Art gaining a distinction. Mahrukh’s interest led her to be offered an apprenticeship to classically study the art of Islamic manuscript illumination, Tezhip under a master in Istanbul, Turkey. She is currently undertaking her final project for the prestigious icazetname (Authorized Islamic manuscript Illumination Licence), which links her to a chain of authorised Ottoman Masters. Mahrukh has a special interest in other art forms such as Persian and Mughal miniature painting and calligraphy. Her work has been exhibited in the UK and internationally, and has been acquired for private and royal c
