Nur Fathiah A`bdussamad, MA

Sekar Jagad
Tiles
60 x 40 cm

Artist Statement

I have never known very much about the land of my ancestors in Indonesia, except for its name Bawean Island, off the coast of East Java. The people there speak a language shaped by the diverse ethnic influences that have penetrated Java. Never did I imagine that the everyday customs I once took for granted would one day transform my understanding of cultural identity and heritage.

Batik has always been a part of my family’s tradition, especially among the women. From a young age, we were taught how to wear it properly. I watched as the women in my family carefully selected batik pieces, paying close attention to motifs, the intricacy of the handiwork, and the quality of the fabric ensuring that each piece was suited for a special occasion or offered as a meaningful gift.

Growing up with my late grandmother, it was clear that batik was a symbol of her legacy and the culture she fought to preserve. As an immigrant (in Singapore), she instilled these traditions in us with unwavering dedication. My deepening research into batik, motivated by The School’s commitment to the practice of the traditional arts, became a spiritual journey, reconnecting me with the essence of my Javanese heritage.

Indonesian batik motifs such as the ancient geometric kawang, and sido as well as the flower symbol truntum,  embody aspirations and prayers for wellbeing, dignity, and protection. Traditionally worn on the body, these motifs are believed to permeate the wearer.

My art pieces for the show are in batik, stained-glass and tiles. They express prayers and hope which extend beyond the individual to radiate into the very spaces we inhabit.